Kari and Maureen

Born on March 25, 1970, she is a Canadian actress. Matchett born in 1970, from Spalding in Saskatchewan, began her career in theatre when she relocated to Ontario. At the beginning of the nineties, she started her career in Canadian TV. She then moved to the United States and starred on The Secrets of Nero Wolfe Invasion Studio 60 on Sunset Strip Ambulance Earth. The Last Conflict. The role she played on The Department of Wet Cases the Canadian TV drama, was recognized with a Gemini Award. Over the course of several seasons, she played the ex-wife of one of Impact's main characters. Joan Campbell has played her in Covert Operations on TV since the year 2010. Cube 2, a 2002 Canadian film is her debut big screen part. She also starred in Angel Eyes Boys with Broomsticks The Tree of Life, Boys with Broomsticks, and Hypercube. Divorced. Her first child was a son, named Jude Lyon Matchett was born in June of 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) was an enthralling actress due to her reddish-orange hairstyle as well as her stunning natural beauty and her passion to portraying spirited heroines. She charmed the audience with her captivating confidence and a powerful presence, whether she was being saved from the Gallows (The Hunchback on Notre Dame in 1939), falling for Walter Pidgeon under a coal noired scene during 1941 (How Green Was My Valley) or having to believe in miracles with Natalie Wood (Miracle on 34th Street in 1947). Maureen O'Hara by Aubrey Malone is the only full-length biography on the screen legend who was dubbed the"Queen of Technicolor.. Aubrey Malone, a film reviewer who follows the screen star's life from her early years in Dublin up to her height of fame in Hollywood and draws fresh details and information of the actress's life from Irish Film Institute film production notepads and old newspaper articles as well as fan magazines. Malone analyzes the relationship between the actress and frequent collaborator John Wayne and her relationship with director John Ford and he addresses the hotly debated question of whether or not the screen diva was a feminist or antifeminist character. Although she was a symbol of the golden age of cinema, O'Hara's preference for privacy and her behavior of making public statements which contradicted her own personal beliefs make her an unpopular figure. This groundbreaking biography provides the first look at the person behind the bigger-than-life persona, delving into the myths in order to provide a fair assessment that of one the greatest film stars.